RED MANAGEMENT

Joseph Taussig

producer

I have spent 20 years in production and 9 years producing on a wide range of shoots.

I am a passionate, positive and driven producer with extensive experience of working with many different personalities and talented directors including James Rouse, Owen Harris & Harold Einstein.

I consider my people skills one of my greatest assets. I am a calm, personable and an attentive problem solver and also love to collaborate creatively on projects. I feel very comfortable on all stages of the production; whether that be bidding, managing budgets or reconciling the job.

I’m always keen to push the creative whilst retaining a conscientious approach towards production; with the welfare of all those on set always remaining paramount.

I have spent 20 years in production and 9 years producing on a wide range of shoots.

I am a passionate, positive and driven producer with extensive experience of working with many different personalities and talented directors including James Rouse, Owen Harris & Harold Einstein.

I consider my people skills one of my greatest assets. I am a calm, personable and an attentive problem solver and also love to collaborate creatively on projects. I feel very comfortable on all stages of the production; whether that be bidding, managing budgets or reconciling the job.

I’m always keen to push the creative whilst retaining a conscientious approach towards production; with the welfare of all those on set always remaining paramount.

I have spent 20 years in production and 9 years producing on a wide range of shoots.

I am a passionate, positive and driven producer with extensive experience of working with many different personalities and talented directors including James Rouse, Owen Harris & Harold Einstein.

I consider my people skills one of my greatest assets. I am a calm, personable and an attentive problem solver and also love to collaborate creatively on projects. I feel very comfortable on all stages of the production; whether that be bidding, managing budgets or reconciling the job.

I’m always keen to push the creative whilst retaining a conscientious approach towards production; with the welfare of all those on set always remaining paramount.